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Write an analytical essay on Roman Polanski’s film The Pianist. Your essay should not exceed 1000 words and you will need to make specific references to filmic techniques throughout.
Introduction
In this assignment, The Pianist Movie has been discussed in detailed. What techniques film director has used in the movie to make a hit and give a real touch and feel. In this movie director has used different method and techniques to make the movie super hit. Directors have used numerous innovative techniques in order to make the audience feel the real situation and get inspired. Various techniques which directors have used are makeup, costumes, and natural lighting in the movie. All these techniques have been used by the director in order to project the movie into real sense.
Techniques used in the movie
In 2002 The Pianist movie has launched which is based on the real event occurred. Director of the movie is Roman Polanski. The movie is based on the real story of the Wladyslaw. In this movie, director displayed the real story of the Wladyslaw who was an artist. Who put all his effort of five years fighting with the Nazi control of Warsaw. Roman Polanski's 2002 film "The Pianist" is a motion picture in view of a genuine story of Wladyslaw Szpilman, an artist who put in around five years of his life battling against the Nazi control of Warsaw. With a few striking exchanges, flawlessly sensible ensembles and sense demonstrating heartless conduct and torment looked by Jews went down by the high caliber and flexible sound impacts, the plot portrays the cruel demonstration embraced by the people. It introduces the evil treatment, mishandles, and abuse of a man by man. Polanski, acting naturally a Jew, broadcasts the tale of Szpilman with a grave, stark and pitiless objectivity that includes both the sides - negativity and incredulity on one hand and compassion and thought on the other (Garbowski et al., 2016).
The utilization of dull hues in displaying the scenes and in outfits finely portrays the depressive feeling and vulnerability of the characters. He set off the plot is as far as anyone knows set in the early time of World War II and subsequently, all aspects of the mise en scene have been deliberately created in an approach to adjust with and take after the period in order to influence it to look nearest to genuine. For the most part, common delicate lighting is utilized as a part of the plot all through and just in required events, all the more lighting and shading is embraced. Cosmetics and clothing types assume an essential part in any scene of any plot. In the talk about motion picture, the clothing types or the ensembles, and in addition the make-up of the characters, is so well picked that they signify the reasonability and common sense of the content. As the motion picture acquaints itself with the watchers, before all else, each character is demonstrated all around prepped and healthy, appropriate to that of pre wad period. Be that as it may, with the content pushing ahead, the appearance and wellbeing of the Jews are seen falling apart living in the Ghetto. These camera procedures enable the watchers to be sharp eyewitnesses feeling the confinement and powerlessness of the Jews among that time.
The utilization of dull hues in displaying the scenes and in outfits finely portrays the depressive feeling and vulnerability of the characters. He set off the plot is as far as anyone knows set in the early time of World War II and subsequently, all aspects of the mise en scene have been deliberately created in an approach to adjust with and take after the period in order to influence it to look nearest to genuine. For the most part, common delicate lighting is utilized as a part of the plot all through and just in required events, all the more lighting and shading is embraced. Cosmetics and clothing types assume an essential part in any scene of any plot. In the talk about motion picture, the clothing types or the ensembles, and in addition the make-up of the characters, is so well picked that they signify the reasonability and common sense of the content. As the motion picture acquaints itself with the watchers, before all else, each character is demonstrated all around prepped and healthy, appropriate to that of pre wad period. Be that as it may, with the content pushing ahead, the appearance and wellbeing of the Jews are seen falling apart living in the Ghetto. These camera procedures enable the watchers to be sharp eyewitnesses feeling the confinement and powerlessness of the Jews among that time.
Mise en Scene
Film Director uses the very dull color mainly to show the stress and depressive feeling of the actors. Through makeups and costume director very well demonstrated the repressiveness in the overall film. In his movie, The Pianist Director used Mise en Scene techniques that are director used dull color mainly to display the feeling of stress and depressive feeling of the actors. In this way, he attempted to portray the real feeling of the event happened.
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As makeups and costume are very important to gain the attention of the audience and to make them feel that all things are going into reality. Makeup is the great techniques which are mainly used in the film industry as it reflects the exact situation of the actors and his or her feeling. So in the same manner in this movie that is Pianist 2002 director of the film used to show the real essence of the event happened at the Nazi Warsaw control. What is found in this movie is that all the actors are very well groomed and dressed up and found very healthy and fit. But soon after the war the jews people are found to be a week. So this realness has been demonstrated through the makeup. Here makeup techniques are very well used by the film director.
Natural lightening
Lightning and sound also play a very impressive role in the movie. As it reflects the real situation of the event. In this movie The Pianist, Director used natural soft lighting to display the interior scene of the Jews Ghetto. Director also used bright light techniques in the film when the protagonist is trying to help the people in the Ghetto.
The techniques of camera empower the audiences to be observers by observing the confinement and defenselessness of the Jews nearby them in the scene of the umschlagplatz. The Jews were gathered for ousting to the demolition camps in umschlagplatz which is in the Warsaw Ghetto in the midst of the holocaust. The scene of ousting to the demolition camps begins with a subsequent shot in which Jews is going into the umschlagplatz. Umschlagplatz is the only place where the year and date were disclosed by the Polanski to be the period in which Jews removal was initiated (Leonard et al., 2016). As the camera zooms out to the high edge viewpoint the vitality of this information was revealed as well as the confinement and shortcoming of Jews were revealed as the camera zooms out and the ruthlessness has been observed by the viewers. The Jews were shown in the same scene that Jews required adaptability from the condition in which they were. However, Jews were helpless in the views of the vitality of the Nazis as well as they were symbolized by the high edge shot of umschlagplatz and the security boundary. The Jews were a prisoner of a time when there was no value. The shortcoming of the Jews was shown by Roman Polanski in this movie. The cinematography of the wasteland and the act of Szpilman as a detainee make the watchers the onlooker of the remains of the war and man's cruelty to man.
Once again the audience become voyeurs, seeing the remaining parts of the war through the cinematography of the scene of the dead zone. Man's mercilessness to man is before long exposed in this scene as Szpilman is represented to be a convict in what is all in all an interminable crush of structures and cleans houses. Szpilman appears, all in all, to be hopeless and deserted and the boundless segments of demolished structures and houses signify the stark reality of the situation he is in with the use of the high camera edge.
Director used the camera at the high point mainly to reflect the likelihood of the weakness of the Jews surrounded. In order to show that Szpilman as a convict director used boundless remnants. In a way to portray the Szpilman as a convicted person, boundless remnants structure have been used by the director.
To wind up this motion picture The Pianist brings the gathering of people into a time when Hitler rose to control through his sheer influence and control of the country and along these lines took most brutal decisions against the Jews. Possibly the way that Polanski himself was a survivor of the besieging of Poland is the explanation for why this film displays the stark reality of that time. So in the end, it can be concluded that the film or movie director has used numerous effort in a way to make the movie much hit. So for making the movie super hit and to give the movie the real touch director used various new techniques in his overall movies such as special dull makeup and bright light and so on to generate the feeling of realness. Through numerous techniques he made his audience feel the real essence of the story.
The techniques of camera empower the audiences to be observers by observing the confinement and defenselessness of the Jews nearby them in the scene of the umschlagplatz. The Jews were gathered for ousting to the demolition camps in umschlagplatz which is in the Warsaw Ghetto in the midst of the holocaust. The scene of ousting to the demolition camps begins with a subsequent shot in which Jews is going into the umschlagplatz. Umschlagplatz is the only place where the year and date were disclosed by the Polanski to be the period in which Jews removal was initiated (Leonard et al., 2016). As the camera zooms out to the high edge viewpoint the vitality of this information was revealed as well as the confinement and shortcoming of Jews were revealed as the camera zooms out and the ruthlessness has been observed by the viewers. The Jews were shown in the same scene that Jews required adaptability from the condition in which they were. However, Jews were helpless in the views of the vitality of the Nazis as well as they were symbolized by the high edge shot of umschlagplatz and the security boundary. The Jews were a prisoner of a time when there was no value. The shortcoming of the Jews was shown by Roman Polanski in this movie. The cinematography of the wasteland and the act of Szpilman as a detainee make the watchers the onlooker of the remains of the war and man's cruelty to man.
Once again the audience become voyeurs, seeing the remaining parts of the war through the cinematography of the scene of the dead zone. Man's mercilessness to man is before long exposed in this scene as Szpilman is represented to be a convict in what is all in all an interminable crush of structures and cleans houses. Szpilman appears, all in all, to be hopeless and deserted and the boundless segments of demolished structures and houses signify the stark reality of the situation he is in with the use of the high camera edge.
Director used the camera at the high point mainly to reflect the likelihood of the weakness of the Jews surrounded. In order to show that Szpilman as a convict director used boundless remnants. In a way to portray the Szpilman as a convicted person, boundless remnants structure have been used by the director.
To wind up this motion picture The Pianist brings the gathering of people into a time when Hitler rose to control through his sheer influence and control of the country and along these lines took most brutal decisions against the Jews. Possibly the way that Polanski himself was a survivor of the besieging of Poland is the explanation for why this film displays the stark reality of that time. So in the end, it can be concluded that the film or movie director has used numerous effort in a way to make the movie much hit. So for making the movie super hit and to give the movie the real touch director used various new techniques in his overall movies such as special dull makeup and bright light and so on to generate the feeling of realness. Through numerous techniques he made his audience feel the real essence of the story.
References
Garbowski, C. (2016). The Pianist. Journal of Religion & Film, 6(2), 13.
Leonard, K. P. (2016). Using resources for silent film music. Fontes Artis Musicae, 63(4), 259-276.
www.studyit.org.nz/phpBB2/download.php?id=15884&sid.
Leonard, K. P. (2016). Using resources for silent film music. Fontes Artis Musicae, 63(4), 259-276.
www.studyit.org.nz/phpBB2/download.php?id=15884&sid.
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